the new creation by cie. toula limnaios is inspired by the motif of the ›ship of fools‹. this dates back to plato, but has become an increasingly burning theme in literature and art from the middle ages to the present day. »la nef des fols« allows us think in different directions. it remains open as to whether the protagonists represent an exuberant society that is navigating a pilotless ship that has already lost its course, or whether they are trying to escape disaster and danger. on their journey into the unknown, subject to the paradox of total freedom and at the same time complete imprisonment, they frenetically strive forward.
in an almost surrealistic allegory of the vices of our time, cie. toula limnaios searches for the community-creating element in an increasingly merciless world. violence is mixed with moments of light and hope, while the poetic images, despite all their tragedy, are always grounded in beauty.
»the journey of the madman is a rigorous separation, locked in a boat from which there is no escape.« michel foucault (from: »madness and society – a history of madness in the age of reason«)
premiere 03 july 2024
the cie. toula limnaios is supported by the senate department for culture and social cohesion, berlin.
»… as always with toula limnaios, much is enigmatic and not so easy to interpret, which is why some of the images are so uncanny and creep under the skin. precisely because some things seem so drastic and oppressive, »la nef des fols« is another piece full of human knowledge, with freely associated dance images about the state of our world – a world that here is an extremely restless world tossed back and forth. a wild and feverish world, and this ship of fools – our contemporary life – has been caught in a raging storm – it will certainly not sink in this storm, but it will be totally shaken.« (frank schmid, radio3)
»toula limnaios, through a representation full of symbolism, metaphors and very suggestive dance moments, manages to portray this ship [of fools] very well. […] perfectly accompanied by the intense music of ralf r. ollertz and the suggestive lights of felix grimm, the show, very articulated and complex, manages to illustrate the misadventures of who is lost. […] ›la nef des fols‹ is a perfect criticism of the political system of yesterday and today.« (nicola campanelli, campadidanza)