the starting point of the dance piece is the theme of shadows, loosely inspired by adelbert chamisso’s art fairy tale »the wonderful history of peter schlemihl«, which was written in 1813 and tells the story of a man who sells his shadow. »clair obscur« is an attempt to approach the complexity and multi-layeredness of shadows and their paradox, because shadows have many faces.
the HALLE is transformed into a stage divided into two parts. the two parts face each other like two sides of the same coin, like light and shadow, like day and night – one cannot exist without the other and this is how this work is composed: the two perspectives are inseparable and yet can be perceived separately…
»see how this body casts its shadow and how dreams are born from it.« henri bosco
who hasn’t tried to catch their shadow while walking back then? who has not wondered about this strange apparition that constantly accompanies us, but also always slips away? from plato’s »allegory of the cave« to carl gustav jung’s »analytical psychology« to the dream world of every human being, the shadow veils and reveals the secrets of the world.
where does this shadow come from? what does the shadow tell us? and where does it escape to when we no longer see it? what is this shadow that wanders in search of its body, and what is a body without a shadow?
the crazy attempt to catch the shadow is always doomed to failure.
»in these shadow phases i am unable to think, to feel, to love.« fernando pessoa
but there are also shadows that cover our existence. they unfold, act and live-in silence. shadows can have many names… they appear around the corner, in the unexpected and suddenly take possession of us. shadow sides that dwell within us and that we carry with us. shadows that arise, full of doubts, full of illusions. they reach out to the visible world through our senses and take possession in impermanence.
the cie. toula limnaios is institutionally funded by the state of berlin, senate department for culture and europe.