a solo for two men
the motif of the ‘doppelgaenger’ or look-alike is both irritating and fascinating at the same time: his appearance confounds the boundaries between oneself and others. the doppelgaenger questions concepts of similarity and difference, problematizes the subject and its identity.
»synchronicity indicates more than virtuosity, but rather the merging of two states of awareness. this meticulously composed decrescendo is one of the most moving, most enlightening final scenes that i’ve seen in dance theatre for quite some time.« (tagesspiegel, franz-anton cramer 2003)
a cie. toula limnaios production 2003/2016
concept/choreography/costumes toula limnaios music ralf r. ollertz dance/creation: leonardo d’aquino, alessio scandale lightdesign klaus dust assistance ute pliestermann, hironori sugata lighttechnic domenik engemann
videotrailer © 2020 cie. toula limnaios
video © walter bickmann tanzforumberlin